sábado, 23 de mayo de 2015

Leyo Peña y su combo oriente llama

regreso  el  15  de junio  , descanso para uds,,,,,
leyo peña

jose caridad hernandez perico me doy a querer








JOSE CARIDAD HERNANDEZ `PERICO´


TITULO TRABAJO:ME DOY A QUERER

TEMAS:


01-ME DOY A QUERER

02-ARSENIO UN GUAGUANCO

03-TERESA

04-LA MUELA

05-DE UN MUNDO RARO

06-LA CRUZ DE MI DOLOR

07-EL ARRIERO

08-SON CARIBE







MUSICOS DEL OESTE

WILLIE MILLINS-PIANO

OSCAR MEZA-BAJO

HARRY KING-TROMPETA

SAL CHRAHIOLO-TROMPETA

ARTURO VELAZCO-TROMBON

DAVID STOUT-TROMBON

LUIS CONTE -BONGO

DANILO LOZANO-TIMBALES,FLAUTA

VICTOR BARRIENTOS-DRUMS

DR RAYMOND TORRES-SINTETIZADOR

NACHO SANABRIA-COROS Y MARACAS

INVITADOS ESPECIALES

LALO RUIZ-TRES

JOSE GOMEZ-SAX

JUSTO ALMARIO-SAX

RAMON FLORES-TROMPETA




MUSICOS DEL ESTE




PAQUITO PASTOR-PIANO

SAL CUEVAS-BAJO

PUCHI BULONG-TROMPETA

BOMBERITO ZARZUELA-TROMPETA

REYNALDO JORGE-TROMBON

LEOPOLDO PINEDA-TROMBON

RICHIE BASTAR-BONGO

JIMMY DELGADO-TIMBALES

JOHNNY PACHECO-GUIRO-COROS Y TAMBORA

SAMUEL GARCIA-CONGA

ADALBERTO SANTIAGO-COROS




AÑO DE GRABACION-1986

SELLO DISCOGRAFICO-GB RECORDS.


  JOSÉ CARIDAD HERNANDEZ ``PERICO´´.



Este album es una mescla o conjunto de musicos de los Angeles con musicos de Nueva York para crear lo que se conoce como "RUMBON"

MR. Rubin Rodriguez presenta a Hernandez en su primer solo, el se conoce como "perico", es nativo del pinar del rio, Cuba, es un voclaista y compositor que fue categorizado por Ricardo "Papin" Abreu como "Timbero Major"

hiso su debut en 1954 cuando hiso various albums con Conjunto Casino y despues trabajo con musicos como Roberto Faz, Pacho Alonso, Sene Suarez, Papin y sus Rumberos, y Tata Guines

ha echo presentasiones Xavier Cugat, Charo, Rene Touzet, y Rudy Calzado. En esta fabulosa reunion de musicos del este y oeste tuvo la oportunidad de trabajar con Pacheco, Javier Vasquez y Luis Cruz.

musicos del oeste: musicos del este.

informacion obtenida por internet ,pertenece a sr  Pablo Emilio Solano gran colecionista de musica salsa 

viernes, 22 de mayo de 2015

orquesta metropolitana - el poli de la metro


cortesia del amigo  Augusto  Rondon




ORQUESTA  METROPOLITANA 


Orquesta Metropolitana - New Horizons [1980] Lp


A01 - Calletana.

A02 - Coco De Agua.

A03 - Bailen Conmigo.

A04 - A Lo Oscuro.

B01 - Zapatero.

B02 - Busco Una Chiquita.

B03 - Serafin.

B04 - Manila.


Canta: Vitin Lopez


Ray Ramos,Solo En Bailen Conmigo

rafael bracero y su orquesta cantan charlie and siso

rafael mancebo y su combo - que era lo que no llevaba ? guaguanco , boogaloo y jala-jala

rafael solano y su orquesta - esta bien

rafaelito cruz ya llego !

martes, 19 de mayo de 2015

charanga sensacion - sensacion hay una

charanga sensacion

carmen callavaro,,,,,,


carmen callavaro  at the ambar,s

carmen callavaro  the poet of the piano





Carmen Cavallaro (May 6, 1913 – October 12, 1989) was an American pianist. He established himself as one of the most accomplished and admired light music pianists of his generation.

Music career[edit]


Carmen Cavallaro was born in New York City. Known as the “Poet of the Piano”,[1] he showed a gift for music from age three, picking out tunes on a toy piano. His parents were encouraged to develop the child’s musical talents and he studied classical piano in the United States. As a young pianist, he toured Europe, performing in many capitals.


In 1933 Cavallaro joined Al Kavelin's orchestra, where he quickly became the featured soloist. After four years he switched to a series of other big bands, including Rudy Vallee's in 1937. He also worked briefly with Enric Madriguera and Abe Lyman.


Cavallaro formed his own band, a five-piece combo, in St. Louis, Missouri, in 1939. His popularity grew and his group expanded into a 14-piece orchestra, releasing some 19 albums for Decca over the years. Although his band traveled the country and played in all the top spots, he made a particular impact at the Mark Hopkins Hotel in San Francisco, which became a favored venue, and which also later became a favorite spot of George Shearing and Mel Tormé. Other venues where he drew large audiences included New York’s Waldorf-Astoria, Chicago’s Palmer House and the Coconut Grove in Los Angeles. In 1963 he had a million-seller hit recording of the song Sukiyaki.


One of Cavallaro's vocalists, Guy Mitchell, later became famous in his own right.


Cavallaro's single best-selling recording was his pop version of "Chopin's 'Polonaise.'"


He was awarded a Star on the Hollywood Walk of Fame[2]
Influences and style[edit]


Cavallaro developed a piano-playing style of glittering and rippling arpeggios to augment his melody, which was often arranged in thick and lush triple- and quadruple-octave chords. His musical interests and arrangements included dance music, particularly Latin rhythms, tangos and strict tempo dancing styles, as well as some pop and jazz arrangements of classical melodies. In this, he is often cited as being influenced by pianist Eddy Duchin. Liberace was greatly influenced by both Cavallaro and Duchin.[3] All three shared a propensity for arranging classical piano themes in a pop idiom.


Cavallaro became a member of ASCAP in 1957.[4] Although he wrote several songs, including "Dolores My Own" and "Anita", the most popular were "While the Nightwind Sings" and "Masquerade Waltz".
Radio and film[edit]


Cavallaro also became famous through the media of radio and film, firstly with his regular program on NBC during the 1940s, The Sheaffer Parade, of which he was the host and later in films where he played himself, starting with Hollywood Canteen (1944), then Diamond Horseshoe, Out of This World (both 1945) and The Time, The Place and The Girl(1946). His most celebrated film achievement was playing the piano music for actor Tyrone Power’s hands to mime, in The Eddy Duchin Story (1956).

lunes, 18 de mayo de 2015

primitivo y su combo - yo vuelvo pa , goza


album cortesia del amigo  Jose Ramirez  ( tales ramirez )
yo vuelvo pa, goza
eperame alla
cuando te miro
la ligadura
negra tomasa
fiesta y serrucho
guajira
el robo del siglo 
down town
fiesta cibaeña
borinquen bella

machete y caña

cortesia del amigo  Jose Ramirez 

machete y caña llego
pita camion
chacareo
cambia el paso
caminando
aunque vengas disfrazado
que bueno baila ud
mi china
camaleon
quitate la mascara
son tradicional

lunes, 11 de mayo de 2015

45 rpm the nitty gritty sextet


something new

nitty  boo boo

cortesia del  amigo  auro jose perez



En 1967 en el Spanish Harlem los all stars de la música latina se reúnen en el estudio para grabar dos bombazos.
La sesión captura el sonido del momento, la fusión de la música latina, mambo y son cubano con el rhythm & blues y el soul.
A pesar del interés del sello RCA en publicarlos, nunca vieron la luz. Hasta ahora.

Rocafort Records presenta por primera vez en vinilo "Something New" y "Nitty Boo Boo" dos cortes firmados por "The Nitty Gritty Sextet", nombre tras el que se esconden los mejores músicos de la escena latina de Nueva York.

English:

It’s 1967 in Spanish Harlem and the NY Latin Music All Stars gather in the studio to record a bunch of tracks.
The session captures the sound of the time, the fusion between latin music, mambo and son cubano with rhythm & blues and soul.
Despite the interest of RCA in publishing them, many of these tracks never saw the light of day. Until now.

Rocafort Records presents, for the first time on vinyl, "Something New" and "Nitty Boo Boo", two cuts penned by "The Nitty Gritty Sextet", an alias for the best musicians of the New York Latin scene. The musicians are:

Louie Ramirez: Vibes
Ricardo Ray: Piano
Jimmy Sabater: Timbales
Bobby Marin: Coro
Willie Torres: Lead Vocals
Tito Puente: Percussion
Charlie Palmieri: Tamborine
Bobby Rodriguez: Bass
Ozzie Torrens: Conga

PLEASE NOTE we made a mistake when we released the 45 mentioning Joe Cuba as the congero player. We've been confirmed he wasn't part of the recording session. We apologize for the misinformation.
credits
released 30 April 2014